Sunday, October 30, 2011

New Gallery and Works in Progress

I am very happy to announce that soon you will be able to find my paintings in Whistler, British Columbia, Canada! Whistler Village Gallery is now representing me and will start showing my work this December. I have 4 new paintings in the works for them and can't wait to see how their clients react to my paintings. They have two gallery locations, one in the Four Seasons Resort and the other in the Hilton Whistler Resort and will soon be opening a third. If you remember, Whistler is the beautiful resort town that hosted the 2010 Winter Olympics so you know it's a great place to go skiing. If you happen to be in the area, be sure to stop by and see my paintings!

Here are some of the pieces I have started that will eventually be shipped to this gallery:

There is still a lot of work to do on this painting but I am hoping to have
it finished tomorrow. It is 30"x30".

This is what the painting looked like yesterday.

This painting is much smaller, 16"x16". I just finished the underpainting today
and hope I will have enough time to finish it this week.


Thursday, October 27, 2011

Coast Magazine Article on "Cinema Verite" at JoAnne Artman Gallery


For those of you living in Southern California, be sure to pick up the November edition of Coast Magazine. There is an article by Roberta Carasso, about my paintings at JoAnne Artman Gallery in Laguna Beach on page 138! If you don't live in the area, you can go to www.coastmagazine.com and click on the icon for the latest digital edition of the magazine.

In other news...These are my latest paintings that will be shown at Richard J. Demato Gallery in Sag Harbor, New York. Richard and his knowledgeable will be exclusively showing my work from my new "What Remains to be Seen" series. More information about this new series will be coming soon...

"It's All Fun and Games", 30"x40", oil and encaustic wax on panel.


"Under an Umbrella of Doubt", 36"x24", oil and encaustic wax on panel.


Saturday, October 22, 2011

Learning to Draw, Old School Style Part 6

Last Sunday was the last day of my drawing class and I have finally been able to take a picture of the final drawing. I think overall it turned out okay, although there are parts (like the head and legs) that could use a lot more work. There just wasn't enough time to finish this to my liking. You'd think spending 6 Sundays, 4 hours each day, would be enough time, but there wasn't. Go figure. I am signed up for Sadie's oil painting class that starts in two weeks and I will also be attending the model sessions on Thursday nights so that I can practice my drawing skills on a different model. I am finding that I really am enjoying these classes and the structure of the methods we use. It has improved my painting, and more importantly, how I see my figures and then translate that information. I can't wait to take more!



Thursday, October 20, 2011

Review of "Cinema Verite" in OC Weekly

Sometimes people just don't like what you paint (see previous post regarding dealing with criticism), and other times someone will totally get what your intentions are and write a great review of your show! My show "Cinema Verite" with Brooke Shaden at JoAnne Artman Gallery just got a great review from Stacie Davies in the OC Weekly! You can read the review here.

Monday, October 17, 2011

Dealing With Criticism

I you are a human being, you've had to deal with criticism. Whether it's at work, school, or even at home, there is usually someone out there that will offer their advice, whether solicited or unsolicited, and it may not always be positive. Sometimes it is constructive, the type of thing that you probably needed to hear in order to improve whatever endeavors you are taking on. Sometimes it may be less than nice or even nasty. It happens. Everyone has to deal with it at some point in life, usually multiple times a day.

My current work in progress. Underpainting is completed.
If you are artistic and put your work out there, you probably deal with even more criticism than most. Nowadays, with social media and the easiness in which a person can get a website or blog, there is a plethora of ways to show what you are doing to the world. People can see your work from anywhere in the world. This is great, and yes even amazing, but what it also means is that you are now open to a lot more people critiquing what you do and, unfortunately/ fortunately,  the means to let you know what they think about your work. So how does one deal with criticism when it's not so constructive, and sometime, downright mean?

As some of you who have been reading my blog know, I was recently a featured artist on Artist a Day, an internet site that shows the work of an artist a day and allows the viewers to rate the work and comment on it. If you look at the link to my work on the site, you'll notice that there were some people who just did not like my work (and this is not the first time people have voiced a negative opinion about my paintings). One woman disliked it so much she felt the need to email me personally and tell me that the bars over the figure's eyes made her angry, not nostalgic at all. Now, like any human being, my first reaction was to start defending myself in my head and to anyone who was close enough to listen (in most cases, that's my husband). But once I calmed down a bit (and it didn't take long in this case), I started to think about what this really means and decided to take the criticism a different way.

1. People were "moved" enough by my work, positively or negatively, that they felt the need to write a comment (or email me). Now I don't know about you, but most things I don't like, I also don't care enough about to write a comment or think twice about it. These people took the time to comment. That's a good thing. My work "bugged" them enough to comment! They say (and I have no idea who "they" are) that if your art can evoke an emotion, then it has done it's job. It doesn't really matter what the emotion is, although we tend to want positive emotions. Think of the woman who emailed me to tell me she was angered by my work. She was ANGRY. That is an emotion. I affected her. She may not be buying any of my painting soon, but I made a mark, even if it's a small one, in her life.

2. I try to see if there is anything useful in a person's criticism. If there's something useful in what they said, then great, maybe I can learn from this. If not, I am not going to take what that person said personally. It's not like they are criticizing me as a person. They just don't like my paintings. People are entitled to their opinion and I am entitled to ignore them.

3. There is no need for me to justify my work or clarify misconceptions by commenting or emailing back. My artist statement states my intentions and reasoning behind what I do. I stand by it. If someone doesn't understand it or, more likely, doesn't agree with it, that's okay too. But what I learned, more importantly, is that writing someone back and trying to argue "my case" with them just opens the door to more frustrations, such as a "back and forth" arguement that leads nowhere. I don't need the added frustration and I don't need to change their minds so I don't try to.

Through all of this, I have come to the realization that not everyone will like my work. That's okay, in fact, that is a good thing. People come in all shapes and sizes with all sorts of tastes. If everyone liked everything, or the same things, how boring would we be? People who like my work are nice to have but I am not offended if someone doesn't like it. Plenty of people like my artwork, and more importantly, I like what I am doing. That's all I really need.

Sunday, October 16, 2011

Artist of the Day

Check out who is artist of the day!


If you haven't visited www.artistaday.com before, it's a great way to see a new artist a day from all over the world. 

Thursday, October 13, 2011

Stop Motion Video Attempt

I have decided that with my next painting I would snap pictures on my iPhone and make a "poor man's" stop-motion video. This would mean that I would have to remember to take a picture every few minutes as I work on this painting, which isn't as easy as it sounds. Sometimes you get in "the zone" and the next thing you know, a large portion of the painting is done and the pictures weren't snapped. I did pretty well today and managed to take 18 photos. I'm sure I could have gotten more since I did paint for 4.5 hours today, but I decided to take a picture after each "major" piece was done on her body. I guess I could have also set a time to take a picture every ten minutes, and maybe I will do that for the next one. I'm hoping the video will work out okay because I think it would be pretty cool to see the progress of a painting this way (I've been scrolling really fast through the photos on my phone and it looks pretty cool so far). Fortunately, Ben, my husband is a audio/video editor genius so I'll get some professional help when I am ready to set it up.



This is the last image I took of my painting that I started today. It is 30"x40".